Reetoxa’s Soliloquy feels like the kind of record that could only come from years of unfinished ideas finally finding their moment. Led by Jason McKee, the album carries a long backstory, stretching all the way to the late ’90s. That history shows up in the music—it’s reflective, sometimes restless, and clearly shaped by lived experience rather than quick studio sessions.
The sound is surprisingly expansive for an independent release. With Simon Moro handling production, the album moves comfortably between stripped-back moments and fuller arrangements, including sections backed by a European orchestra. The shift between these styles keeps the double album from feeling too heavy, even as it runs through a wide emotional range. The supporting musicians add depth, but the focus never drifts far from McKee’s vocals and songwriting.
Soliloquy leans into personal territory. There’s a sense that these songs weren’t rushed—they feel revisited, reworked, and in some cases probably rewritten over many years. Themes of love, missed chances, and self-reflection come through clearly without feeling overdone. Some tracks are more direct, while others take a slower, more layered approach, which suits the album’s overall concept.
It’s not an album you casually skip through. Soliloquy works best when you give it time and listen from start to finish. That might not appeal to everyone, but for those willing to settle in, it offers something more complete than a typical release. It’s a thoughtful, carefully put-together project that shows what can happen when an artist sticks with an idea long enough to fully realise it.
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