From the very first moments of “Elephant Graveyard,” Train Conductor reminded me why they’ve remained one of Albuquerque’s most compelling psych-rock acts for well over a decade. This track doesn’t rush to impress but it slowly pulls you under. Swirling guitars, thick atmospheric layers, and a shoegazey haze create a sound that feels both heavy and meditative. It’s immersive in the best way, the kind of song that demands headphones and stillness. Knowing this track closes out Feeling Town makes perfect sense, because it feels like a final exhale—reflective, expansive, and confident in its identity.
What really stands out to me is how intentional the production feels. “Elephant Graveyard” isn’t just psychedelic for the sake of it; it’s textured, deliberate, and emotionally grounded. You can hear the years of evolution behind the sound, from the band’s early days in 2011 to this current, fuller expression powered by their seven-member lineup and the Brasstronauts. There’s a sense of maturity here, as if Train Conductor fully understands the space they’re operating in and leans into it without compromise. The track transports you, blurring the line between psych-rock and shoegaze while still staying rooted in guitar-driven grit.
With Feeling Town which was released on November 28, “Elephant Graveyard” sets a strong tone for what’s to come. Paired with the raw, synth-punk energy of the upcoming single “Repo Anne,” it showcases just how versatile this band really is. For me, this song feels like a milestone—not just a single, but a statement. Train Conductor isn’t chasing trends; they’re refining their own lane. If this is how they’re choosing to close the album, it’s clear they’re ending it exactly where they want to be: fully immersed in their psychedelic roots and sounding better than ever.
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